Musical Theatre Matters (MTM:UK)

Review: Hamlet! The Musical

Wed, 04 Aug 2010 00:00:00 +0100

Review: “Hamlet! The Musical”

So would William Shakespeare be turning in his grave or singing along? I suspect he would be singing along to this high energy and fun adaptation of one of our country’s most revered tragedies. “Hamlet” as you’ve never seen it! Faithful to the story and cleverly incorporating some of the most famous lines in theatrical history, this musical version of “Hamlet” is amusing with some really nice comedy moments along the way! Along the same lines as the hugely successful “Spamalot”, one can certainly see the potential in this production. With a very talented cast and band, this show was slick and professional. The music and lyrics complimented each other beautifully. Simple set moved around the stage to good effect with an eclectic mix of costumes. The cast worked really hard and produced some very memorable moments indeed. Rosencrantz and Guildernstern reduced to puppets, but weren’t they always? Many great moments in this fast paced production including an homage to many popular musicals of today, even managing to get in a nod to the latest on the West End – “Love Never dies”. A cross between “Spamalot” and “Return to the Forbidden Planet” – this show works!

Seen on 4^th August, 2010 At Pleasance

Review: The Scaredy-Cat Prince

Thu, 05 Aug 2010 00:00:00 +0100

Review: "The Scaredy Cat Prince"

As with all good fairtales, the story of "The Scaredy Cat Prince" brings together a hero and a heroine and, as always, the path of true love never does run smooth. Rapunzel is locked in her tower, longing to find herself and not just be the spoilt Princess that she is expected to be and the Prince has been branded a coward all his life. Not only that but he's afraid of heights - so how is he to rescue Rapunzel from her tower? And so begins a journey of self discovery with both characters learning new things about themselves along the way to the happy ending. Using familiar Disney and Dreamwork songs nicely woven into the story, this production challenges the characters to look at not only their lives but the world around them and learn. The two actors sometimes battle with the volume of the backing track in this simple production but their characters are sweet and believable as the lovers on a quest.

Seen at C chambers street 5^thAugust

Review: Wonderland

Fri, 06 Aug 2010 00:00:00 +0100

Review: Wonderland

Alice has come to tea - or has she? This new production sees the author, Lewis Carroll trying to recapture his memories of "Through the Looking Glass" over the course of an afternoon. Carroll takes us through the book using word and song ably supported by Isa, the actress who played Alice onstage but who has come to tell him she will no longer portray this famous character. Theirs is a curious relationship and the play weaves their own story in and out of the famous book. Carroll is clinging to the past, not willing to let her stop but wanting to retain the memory of Alice as a child. She's in love with him but he only wants her as Alice. There are some dark undertones in this nicely crafted play accompanied by simple songs that enhance the production. More could have been made of the songs in the piece to explore the reality of their complicated relationship but the play is well acted and Michael Maloney personifies many of the characteristics of several of the very familiar characters such as the Caterpillar and the Mad Hatter especially. A simple and enjoyable production.

Assembly Rooms Friday 6th August.

Review: A Corner of the Ocean

Fri, 06 Aug 2010 00:00:00 +0100

Review: A Corner of the Ocean

Four women, living seemingly ordinary lives whose stories are interwoven using words, music, puppetry and physical theatre. An agoraphobic who is desperately trying to create a romantic dinner for two at Christmas but has one hour to get to the shops, a Teacher who converses with God, a girl with a suitcase full of memories who is desperate for the attention she never received and a Norwegian Professor who is convinced there is a link between natural disasters and ill health. Bringing those stories together with some clever puppetry engages the audience who can identify with some of the issues that we all face on a daily basis. A fun sequence with the professor and her fox fur provides some fascinating comedy and the piece is enhanced with live music and sound effects produced to the side of the action. Some lovely voices and atmospheric music all add to the interest of this piece which is well directed and created by the company.

Review: Next Thing You Know

Mon, 09 Aug 2010 00:00:00 +0100

Review: Next Thing You Know

They don't tell you that chasing your dreams isn't that simple. There are problems and barriers to overcome along the way and this new musical attempts to show the truth about reaching for the stars. Darren and Waverley are a young couple in New York. She dreamed of becoming an actress but has had to let that go to find a job with financial stability. Surrounded by others who are all chasing dreams in their own way, Waverley explores what she wants over the course of this well crafted musical. Through the journeys of the 4 characters, we see hopes, dreams and ambitions. "Next Thing You Know" is a fun, tongue in cheek musical with some sharp observations about normal life. The transition from youth to adulthood with responsibilities is portrayed through a simple but pleasant score with some excellent singing from the cast. The storyline is fairly simple and slightly predictable but explores the issue that dreams aren't always over the rainbow - sometimes they are just where we are! Nicely acted and a very enjoyable production.

Review: Edges

Wed, 11 Aug 2010 00:00:00 +0100

Edges

This musical revue is beautifully delivered by a cast of six young performers. The singing, particularly in ensemble numbers is excellent and the duets are also very well done.

Solo pieces are a little less successful, as the direction seems to have stopped from time to time and the audience have no sense of where this new voice and character has come from. The small band (keyboard and drums) are very good indeed, but tend to drown out some of the voices in the solo performances.

‘Facebook Song' was particularly well-received and seemed to have far more detail than any other number. The effort was well rewarded with such an enthusiastic response! Very pleasant show that lands sweetly on the ear.

Review: Jump

Wed, 11 Aug 2010 00:00:00 +0100

Review: Jump

This slick production has a very talented cast of performers in this well designed and well presented show. As well as the ubiquitous electric keyboard, there is the addition of several instruments played by the performers, offering a changing texture to the varied score.

Some strong numbers, especially when the ensemble sing together. There were moments in solo numbers where the voices become a bit lost and would suggest mikes might be needed for a better sound balance as the stage has audience on three sides, so the ‘sweet spots' on the stage are few. Choreography was strong and well-rehearsed.

The plot of a man about to apparently jump from a ledge is oddly lacking in dramatic tension: the characters are fairly stereotypical, although several attempts are made to break through the stereotypes, most notably in the case of the over-bearing Jewish mother's character. The ‘Gok Wan' type character, Cassie Nova, is delightfully played by Stewart Saint and there are some witty moments both in dialogue and songs.

This is a lovely, gentle show that needs to find some grit in it to make the most of such a wonderful cast.

Review: The Ballad of Backbone Joe

Wed, 11 Aug 2010 00:00:00 +0100

Review: The Ballad of Backbone Joe

Suitcase Royale hail from Australia and this show is a comic homage to the film noir genre as we join a private detective on the trail of a man suspected of murdering his wife. Mixed with rockabilly tunes and songs that commentate on the piece and some interesting shadow work and back projections, this shambolic chaos had the audience whooping their approval as the comedy escalates through the show.

The cast of three begin by setting the scene in song - guitar bass and drums - then each take on their character for the story to be told. Clever lighting and design choices make the most of this blatantly silly story that sends itself up as much as the genre it is imitating.

Some great moments and some of the most inventive props to be seen - entertaining? You bet!

Review: The Mole Who Knew It Was None Of His Business

Wed, 11 Aug 2010 00:00:00 +0100

Review: The Mole Who Knew It Was None Of His Business

This is a delight for pre-schoolers and their parents. A talented cast of three women tell the tale of Mole, shocked and somewhat mystified to find a poo on his head!!! The story is all about finding out who had done this poo and on the way, we find out how several other creatures ‘go about their business'...!

A great deal of audience participation from the very start of this perfectly pitched 45 minute entertainment that for once, is as much of a fun time for the grown-ups as for the little ones. This company, Kipper Tie Theatre, use their skills to great effect with good choices being made about costumes and the amount of ‘pantomime' moments for the young audience.

The musical numbers are well-crafted and delivered with great relish - not necessarily the best voices you will hear in Edinburgh, but appropriate to the characters.

A great wee show!

Review: Brothers

Wed, 11 Aug 2010 00:00:00 +0100

Review: Brothers

Originally from South Africa and fro a five piece to two for this year's fringe the Brother's Streep' are fun, quirky and damn good musicians.

From the plot, of which there isn't much of, the show mostly consists of stories of their journey so far as a band with every element being comedic and genuine. A fair amount of audience participation is involved which is sweet and not at all sniffed at by the audience as you want to join in with the guys and their catchy tunes. THey create a laidback atmosphere while we enjoy the brothers wacky tunes such as 'The Disney Princesses' and their attempt at a musical in two and a half minutes, 'Pirate Musical Song', all played and sung with great harmonies and perfect comedy timing.

The show isn't what you would call musical theatre and could've had more of a solid storyline throughout to piece it together to make a coherent complete show using much more characterisation within songs to make this show much more than two guys with guitars and good chat. However the boys are likable and endearing urging you to enjoy what they have so if relaxed live music that will bring a smile to your face is what your after in this year's fringe book you tickets now!

Review: The Jungle Book

Thu, 12 Aug 2010 00:00:00 +0100

Review: The Jungle Book

This Australian company begins before you even enter the theatre, encouraging the young members of the audience, the 'man cubs', to impersonate their favourite jungle animal. Photographs are taken as the audience enters the jungle - the theatre dressed out with creepers and mist and the sounds of the rainforest.

The show has a great deal of audience participation, led by Balloo, Mowgli and a mischievous jackal. This is not the Mowgli of the jungle, though. This is an adult Mowgli, back to visit the jungle and not instantly recognised by Balloo in his business suit. The concept is simple: Mowgli wants to return to the jungle and Balloo wants to go to the city and become a 'Bear Star'.

The show has appeal for the 5-10 year old age range, but this could have been broadened by catchier songs, punchier catchphrases and sharper stagecraft. There is the inevitable environmental message, but lightly applied, thankfully, amongst the animal impersonations. And those photographs from the foyer? Hilarious results when these are displayed on the large on-stage screen...

Watch out for the snake and keep your eye on that jackal!

Review: The Blue Lady Sings

Thu, 12 Aug 2010 00:00:00 +0100

Review: The Blue Lady Sings

The famous painting of The Blue Lady is the inspiration for Tricity Vogue to explore all things blue and musical in this truly hilarious cabaret slot in the Free Festival.

The pastiche must surely include almost every song ever written with the word ‘blue' in the title (indeed, you can spend a great deal of time trying to think of songs missing from the play list...)

Tricity Vogue is an engaging, talented chanteuse and she clearly enjoys this exploration of all things blue. In a series of images, it is hard to forget the picture of a blue lady playing ‘Radio Gaga' on a pink ukulele with the entire audience providing the ‘claps'! The audience are very much part of this cabaret and her skill lies in picking just the right ‘volunteer' to join her on stage.

A fun, frothy delight that is truly a unique pleasure.

(Note from Editor: This show is Cabaret and unfortunately is not therefore eligible for Musical Theatre Awards, but may still be eligible for People's Choice award through WhatsOnStage.com)

Review: Hit Me: The Life and Rhymes of Ian Drury

Thu, 12 Aug 2010 00:00:00 +0100

Review: Hit Me: The Life and Rhymes of Ian Drury

Making a return to the Festival Fringe, this 2-hander piece explores Ian Dury's unique gift to music and society in general. Impersonation has been done before - notably the recent film Sex and Drugs and Rock and Roll - but what this intensely theatrical take on Dury gives us is that real sense of the live performer and the man behind the ‘f***ing genius'. (The caution about very strong language must be taken seriously here!)

The second character is Fred, AKA ‘Spider', a failed thief, ex-army misfit who found a role in life ‘helping' Dury and the Blockheads on their rise to fame. The plot is what it says - the life and rhymes - a colourful life and a lyricist and performer of such genuine talent who changed the face of music in his time - giving the ‘English voice' a presence in rock music that had previously been exclusively American.

Both actors give excellent performances and engage with the audience completely. The out and out ‘musical' finale is a true delight, sending up both Dury and the musical theatre genre with affection that has the audience roaring approval.

Dury would love this - the Raspberry brilliantly brought back to the stage.

Review: War Notes

Wed, 11 Aug 2010 00:00:00 +0100

Review: War Notes

Beautiful songs from a bygone era conjuring up all the familiar images we have of the previous World Wars are presented by Lili La Scala, looking every inch the 1940's chanteuse. From the opening of "Keep the Home Fires Burning" to an encore of "We'll Meet Again", the audience are taken back in time and yet, this production also seeks to challenge us to consider war today. In between the songs are recorded letters written by modern soldiers who have died in Iraq, Afghanistan and other Theatres of War in the 21st century. It is heartbreaking to hear their last words to their loved ones. The letters are then followed by the old war songs but the lyrics remain as true today as they were then. Ably accompanied by a pianist, this is a simple cabaret but one which engaged the audience and took them on a journey down memory lane, albeit a lane that is fast disappearing from our memories. A poignant rendition of some masterpieces beautifully kept alive by this production.

Review: Adventures of a Singing Acupuncturist

Fri, 13 Aug 2010 00:00:00 +0100

Review: Adventures of a Singing Acupuncturist

Join Olivia in the cellar of the Argyle Bar in Edinburgh and you will help make her dream come true. This witty one-woman show is autobiographical. Olivia tells us about growing up in Los Angeles, the daughter of Korean migrants, her time in New York and Las Vegas and the struggle to find love and fame...

As she talks and sings about her life, it is rather delightful and funny and there is a sense that more could be made of the pathos in the flow of the narrative, rather than always aiming for a comedic element. Her voice has a purity of tone, most notably in ‘I will miss you, New York', that leaves you wanting to hear more of that rather than the ‘send ups' (although the audition piece of ‘The More you Rove Someone' from Avenue Q is delicious!)

The Edinburgh connection resonates and thrums through the play - on her first visit to Edinburgh and the Festival, she ‘connects' with a man called Scott. He becomes her muse, encouraging her to find and follow her dream. That dream becomes performing at the Edinburgh Festival Fringe.

Go along and hear for yourself how it all works out.. A lovely hour of an afternoon, just off the Meadows...

Review: Lovelace - A Rock Musical

Fri, 13 Aug 2010 00:00:00 +0100

Review: Lovelace: A Rock Musical

This is a story that deserves to be told. Probably more notorious than famous, Linda Lovelace came to fame through the ground-breaking pornographic film ‘Deep Throat'. What many do not know is the back-story of this woman who at a very young age was more or less expelled by her mother and desperately seeking someone to care for following giving up her baby in a forced adoption.

What this production does very effectively is to evoke the era of the late sixties and early seventies; however, once that era is established, the audience of today demands more emotional connection with the characters in the story than we are given in the piece as a whole. Linda's character is very well drawn and performed brilliantly by one of the best leading ladies in Edinburgh or any other festival this year. A simply stunning performance.

The supporting cast is less well-formed in both the writing and execution of their roles. There are a number of songs that are clearly meant to offer ‘comic relief', but in the context of the story come across as inappropriate, leading the audience away from that emotional connection with the power of the story. Had the show taken a more serious route in choosing the musical numbers to include and their style, the finale would have an audience weeping in pity and sympathy for Linda.

Review: Ballad of Backbone Joe

Thu, 12 Aug 2010 00:00:00 +0100

Review: Ballad of Backbone Joe

Boker Backbone Joe has 'never been beaten' and is supported by his underhand manager Dean at the abbotoir/boxing club in their local town in the outback of Australia. Joe's wife Denise had dies under mysterious circumstances and private 'eye' Von Trap is undercover investigating.

Backbone Joe has all the attributes and potential of being a great cult show, with the 'Suitcase Royale' taking the lead in the musical stakes. They're blusey, folk sound is rather alternative and cool as a new musical theatre concept. Those who aren't your classic musical theatre fans will definately have a place here . The set is wonderfully chaotic and unconventionally used, mastering the art of the projector screen in slapstick comedy and the score pushing the plot along with musical numbers 'bringing you up to speed song' and 'behind the red dress'.

The book and direction is in need of work but has the beginnings of being tight, slick and hillarious, however the lack of committment from the cast lets it down revealing an unfocused, improvised at times, muddle where the jokes get stale. That being said, the piece has miles of life to come and with some good direction and tweaks to the plot this could become the new cult musical of alternative comedy.

Review: Lovesong

Sun, 15 Aug 2010 00:00:00 +0100

Review: Lovesong

This is an astonishing one-man show delivered by Omar, who also wrote the songs and written and directed by Che Walker, an MTM Award-winner last year for ‘Been So Long' which also had Omar in the cast.

The language of the dialogue is poetic whilst being real - listen for the ‘concrete' theme - and it concerns a character from a none too savoury neighbourhood - a musician trying to get over messing up the relationship with his ‘ESP mate'. The reality of this tale comes not from his relationship with his lost love, but his relationship with the kid next door. The dreams he talks of for this child are genuinely touching and moving - a real sense of hope.

Without ever becoming preachy or sentimental, this story commentates on our dysfunctional society and leaves us with the realisation that our children are ALL our children.

The musical numbers are more a commentary on the plot rather than taking us somewhere new in the story, but this could be easily remedied. The songs are wonderful - like listening to new Stevie Wonder tracks written for this character and delivered with genuine soul.

Concise, beautiful and worthy of an hour of anyone's time in Edinburgh.

Review: The Man and the Men

Sun, 15 Aug 2010 00:00:00 +0100

Review: The Man and the Men

You do find yourself rooting for these guys to produce something astonishing - playing to far from full houses in the lovely Remarkable Arts Hill St Theatre, you hope for a ground-breaking discovery.

Perhaps, in time, this piece may find that plateau, but as it stands it has a long way to go. The challenge here is asking musicians to not only play instruments, but to convey character. This highly abstract piece places considerable demands on Ema Watson, playing The Man, and her wonderful soprano voice that is thrilling to hear. Her only ‘dialogue' in the current form is with other instruments, and this piece is screaming for more than that.

This production is a reminder that choices are made in every step of a production - and somehow the choices made here are only half-way right. There are many deliberate pauses in the piece, evoking a connection with John Cage who composed 4'33. The entire piece was silent. What ‘The Man and the Men' gives the audience is a moment to reflect against the hubbub that is Edinburgh in August; a ‘time out' that somehow connects all of the parts of being a spectator at this festival to a whole you rarely realise.

It is unlikely that this was the intention - but Cage always wanted people to really hear. This production needs stronger direction and a bit of a re-write, but it can make you really hear.

Review: Operation Greenfield

Sun, 15 Aug 2010 00:00:00 +0100

Review: Operation Greenfield

This is a charming show. A talented cast of four young people, clearly all committed Christians, are building themselves up as a band to enter the local talent contest.

The direction is somewhat liberal and if that was tightened up, this could be a lovely show for groups of young people to try for themselves across the country.

Starting with simple, acoustic instruments these youngsters grow in every meaning of the word, and eventually become rock icons - channelling the likes of David Bowie with some help from Elvis and Carmen Miranda (of all people!) to help them represent The Annunciation as a piece of rock music.

Brilliantly comedic performances with moments of genuine mature pathos are blended to create a memorable and enjoyable 75 minutes (yes - it's over the hour!) Each character here is on a journey that connects with the other characters - a bit like a Universal rated ‘Skins' - beautifully and honestly told.

With more strength in direction, this would be a marvellous production. The onstage mixing of sound and the live playing of instruments is admirable and we all cheered the finale - what a drum solo!!!

Review: Studio 54

Sun, 15 Aug 2010 00:00:00 +0100

Review: Studio 54

The energy in the opening number for this show is tremendous - spot on choreography that recalls the golden era of disco.

However, we need more than a cracking opening number to sustain interest in this lengthy show (by Edinburgh terms). The actor playing the trans-sexual Miss Mona Desire, known as ‘Desi' is trying his best with the material here and by and large, succeeds. One of the dancers is also stunningly talented, but in a cast of ten with a somewhat lacklustre plot to deliver, this does not really add up.

There are opportunities with an apparently talented cast that are laid waste here - we need a more challenging story with a more believable plot than a guy turning up at the most ‘exclusive' club in New York and suddenly landing a job for this to have any legs. Now it is true that many a musical is built on a flimsy plot, but there still needs to be some strength holding it together and it seems that Studio 54 has yet to find it.

This show demonstrates the need for a good producer to call the shots; to harness the talent more effectively; to turn what is here into a success.

Review: Swing

Sun, 15 Aug 2010 00:00:00 +0100

Review: Swing

This is such a fun show!! Froth in abundance in the middle-England small town of Wafthead. You can taste the Pimms, smell the quiche and hear the ‘pock-pock' from the tennis club..

As ever, nothing is QUITE what it seems.... And rightly so, in this entertaining show. The ‘star' seems to be the triumvirate of housewives - you meet them in the opening number! The ‘Desperate Housewives' of English suburbia convey their characters with such enthusiasm; it almost seems a shame that they are not the plot-line.

The plot revolves around their teenage offspring, also well-played with a good sense for comedy, but this show misses the point about where the real story lies. There are moments where the plot comes together brilliantly and the audience clearly relish those moments.

The band is excellent, under the musical direction of Yon-Fung Au, and it is a genuine pleasure to find a show with a real, live band.

It would have been more enjoyable to find out more about the women ‘between John Lewis and quiche/ we've created our niche', but it must be said that the Hebrew Gangster's Rap does stick in the mind,

BOSH!

Review: Zambezi Express

Tue, 17 Aug 2010 00:00:00 +0100

Review: Zambezi Express

The Zambezi Express by Sabela Music Projects and Siyaya Arts is a fast paced, high energy musical theatre treat for all the family.

Bursting with African drums and stunning dancing the story takes us on the Zambezi express where our young hero wants to follow his dream to play football for his country. On the road he meets a dangerous gang who make trouble but with his grandmothers lucky charm he is set to follow his dream!

The cast in this production give their all from start to finish; from circus skills to physical theatre, gum boot dancing to cheerleading this production has it all to entertain the family!

Excellent Music! Excellent Acting! Excellent Dancing! Excellent Musical Theatre!

Review: Showstoppers

Tue, 17 Aug 2010 00:00:00 +0100

Review: Showstoppers

Showstoppers go where others dare to venture... the wonderful world of spontaneous musical improvisation.

With a cast of five the audience are treated to a brand new musical each night, where they (the audience) give the actors the title, theme and musical genre of the show.

The most inspiring thing about this show is the cast and crew's ability to work together as an ensemble and act as one, with directed lighting, choreography and harmonies that are lacking in even some of the most polished pre-planned comedy shows on the Fringe.

A thoroughly enjoyable evening to be had - with, as I said, a new musical every night!

Review: Ray Bradbury's 2116

Wed, 18 Aug 2010 00:00:00 +0100

Review: Ray Bradbury's 2116

This is a slick, well-rehearsed production with some strong dance and a couple of very good voices, too. A circus-like feel to the design and staging complimented by use of puppets and creative props all contribute to a magical feel, augmented by the almost musical-box score.

The back-story of how this musical came into being is also rather magical - this show has been waiting to be made since the 1950s when Ray Bradbury was asked to create a musical vehicle for Charles Laughton and his wife. Working with Steve Josephson, this production finally makes its World Premiere in Edinburgh 2010.

Josephson is a charismatic figure on stage and this show is at its most successful when he is leading the company.

The First Act is a simple parable, similar to the Babaoushka story, where an aged couple commission marionettes of themselves when they were young to give to their spouse as a Christmas present. Opportunities to really send up the comedy are missed to an extent and the lyrics are somewhat pithy: ‘what to do/what a stew/God bless/what a mess'.

The Second Act is telling the story of the ‘Renegades' who make up the company giving the show in the First Act. There was an opportunity here to ‘step up the ante' and it is disappointing that the music is so similar to that in the parable - a greater contrast with more variation in tempo and key would have lifted this show to somewhere far more exciting.

Nonetheless, a magical show.

Review: Putting It Together

Wed, 18 Aug 2010 00:00:00 +0100

Review: Putting It Together

What better way to celebrate the 80th birthday of Stephen Sondheim than a revue of some of his best known [and not so well known] songs? Random Act does an excellent job in putting together the songs, the performers and the band - all to create a very enjoyable late night evening which was relished by the audience.

Set against the backdrop of a cocktail party where 2 couples find their way through love, marriage and various relationship issues! Ably attended on by the bartender who also serves as the Narrator [and the maid in the very funny "Everyone ought to have a Maid"!]

This production has both great comedy and some really touching moments. Special mention to Gayle Telfer Stevens who truly is a great comedic actress, her timing and facial expressions are wonderful especially in "Getting Married Today". Gregor Firth brings a tear to the eye with his touching rendition of "Marry Me a Little" - a man's plea for that stable relationship he has been searching for and now ready for - only to find there's no-one there.

The company's interpretation of "Being Alive" is a highlight of this slick and well directed show. Enjoy Sondheim? Go and see this show!

Review: Hairy MacLary

Mon, 16 Aug 2010 00:00:00 +0100

Review: Hairy MacLary

Hairy MacLary and Friends is a nice piece of children's theatre for young audiences who are fans of the Hairy MacLary children's books by Lynley Dodd.

Taking the audience through a series of stories from the books we are shown Hairy MacLary's life involving himself and his friends. The music is simple and catchy and the young audience members enjoyed seeing the stories they knew so well unfold in front of them.

Carrie Mancini opens the show as Hairy McLary's owner and does so with the qualities that only children's television presenters know how.

Some stories looked a tad chaotic under the direction of Bruce Strachan however the calm of the final story about a duck left the audience with a smile on their face.

An enjoyable piece of Children's musical theatre.

Review: A Corner of the Ocean

Sun, 08 Aug 2010 00:00:00 +0100

Review: A Corner of the Ocean

Review: Fresher. The Musical

Thu, 19 Aug 2010 00:00:00 +0100

Review: Fresher. The Musical

Fresher is a bright and lovely musical about five Freshers in their first days at University. It is elegantly performed and highly entertaining. The music is unchallenging for the most part until things get difficult between the characters and then more dissonance is revealed in the score. The characters drink, eat, sleep and try to relate to each other taking their first steps into a new life where they hope they can redefine and learn about themselves but what they find is that strongly ingrained character traits reveal themselves immediately.

The five characters define themselves easily as Ally the posh, well dressed sexy girl, Tuc, the cocky self assured but surprisingly genuine lad, Rupert the naïve posh boy with a soft heart, Hayley who takes pills and speaks the truth and Baz whose secret reveals itself very quickly as the drink begins to flow. There is a little bit of very camp choreography and the very simple staging does nothing to detract from the bare bones of the plot.

It will probably never make the West End but this light but well structured piece deserves to be seen.

Blue Penguin and Paulden Productions
Until 30th August 17.35 (18.45) @ Zoo Roxy

Review: The House of Mirrors and Hearts

Thu, 19 Aug 2010 00:00:00 +0100

Review: The House of Mirrors and Hearts

This show begins with a deliciously melancholic and dissonantly thrilling trio, setting an air of mystery that is a central atmosphere of the piece. The story tells of a dysfunctional family: a mother and her two daughters, rendered thus after the death of the husband/father.

Into this domestic situation comes a young, earnest student, Nathan, attractive to both Anna (the Mother) and Lily (youngest daughter); but he is only attracted to the quietest of them all - Laura.

Together, they find out about each other's dreams and hopes with a beautiful ‘little bird' theme built around Laura as we learn of her love of finding beauty in things that are broken.

The plot of the show could do with some attention, as could the direction and staging; but as a work in progress, the score here is outstanding. Once lyrics and book are brought up to the same standard, this will be a beautiful small-cast show.

Aside from the beautiful singing, there are some genuinely heartfelt moments in the performances from this tight ensemble make it worthwhile staying up so late!

Review: Five Guys Named Moe

Thu, 19 Aug 2010 00:00:00 +0100

Review: Five Guys Named Moe

This updated version of the much-loved 1990 show opens here at the Festival Fringe in the vast space of the McEwan Hall. A professional, precise and tight cast, led by the wonderful Clarke Peters romp through the songs of Louis Jordan accompanied by a superb band of musicians perched on the revolving stage.

Clarke Peters also revised his book for this version and appears as Nomax - a bit seedier and edgier which makes his exploration of love and loneliness with ‘the Moes' a little bit rougher and often funnier than in the original production.

The choreography is simply superb; the staging fun and inventive in the use of the revolve (comical walking on the spot sequences) and Peters' entrance to the world of the Moes is simply delightful.

The rhythm and flow of the narrative could be strengthened by using some underscoring between numbers, allowing an atmosphere to be sustained here and there rather than being disrupted by audience applauding every number and actually allowing a mood to develop; giving an opportunity to explore some of the darker messages in this slick, beautifully staged show.

But for a feel-good spectacular with the finale's harmoniously thrilling rendition of ‘Is You Is or Is You Ain't My Baby' to die for, this is a sure-fire hit!

Review: Spontaneous Broadway

Thu, 19 Aug 2010 00:00:00 +0100

Review: Spontaneous Broadway

The Spontaneous Broadway cast brings your ideas to life in their very own original musical never been seen before.

This improvised musical is pitched by the audience, awarding the 'composer' a prize at the end. Brought to Edinburgh's famous Spiegal Tent from down under Geoff Paine, Julia Sernero, Russell Fletcher, Ross Daniels and Genevieve Morris pull the audience in for a perfect early evening of musical comedy gold!

Each character takes the form of improvising within a musical to a whole new level involving and encapturing the audience throughout the show. Good old belly aching laughs are had here, it really is the best medicine and so are the Spontaneous Broadway.

Review: Emperor's Quest

Thu, 19 Aug 2010 00:00:00 +0100

Review: Emperor's Quest

Engaging the audience from the offset this lovely piece is filled with heartfelt truth and originality bringing many different worlds to the stage.

As Ling tries to unveil the mystery of a certain enchanted flower, the Emperor's Quest is packed with worldly music and an important moral to the story.......essential for every child.

All children should see this down to earth but also magical piece of theatre, with some audience paricipation thrown in, it makes it all the more invloving and encapturing. Whilst being entertained by the committed and solid cast they will learn as they watch, hooked from the very start with the purity of the music and the honesty of the story.

Review: Spring Awakening

Thu, 19 Aug 2010 00:00:00 +0100

Review: Spring Awakening

Spring Awakening is a rock musical adaptation of the controversial 1891 German play of the same title by Frank Wedekind. It features music by Duncan Sheik and a book and lyrics by Steven Sater. Set in late-nineteenth century Germany, it concerns teenagers who are discovering the inner and outer tumult of sexuality. The original play was banned in Germany, for about a century, due to its portrayal of masturbation, abortion, homosexuality, rape, bondage, child abuse and suicide. In the musical, alternative rock is employed as part of the folk-infused rock score.

This show, brought to this years fringe by One Academy Productions, has sparks flying everywhere with every piece of energy from the cast giving performances as though their lifes depended on it.

As I was propelled back to my innocence and exploration of sexual tension in my teenage years the performances, as a whole, were committed and focused bringing depth and intelligence to the plot.

Carly Holt (Wendla) sings with precision and beauty throughout, almost as thought she was born to play the part. Stephen Arden (Melchoir) fills the stage with teenage angst and passion taking the audience with him on his journey. From the moment the first ensemble number was in full swing Kristopher Bosch (Hanshen) and Andrew Thomas (Ernst) had captured me with their devoted character choices and class characterisations. They approach each other delicately enthralling the audience.
Direction and Choreography (Andrew Panton) were together effective, unique and lovely to watch as was the musical direction. This electrical piece of theatre is an explosion of excellence in every department..

If you see anything at this years fringe make sure it is One Academy's Production of Spring Awakening even if you have to beg borrow or steal your way in!

Review: Ovid's Metamorphoses

Thu, 19 Aug 2010 00:00:00 +0100

Review: Ovid's Metamorphoses

Ovid's Metamorphoses has been adapted to a world war two setting in
this actor-musician extravaganza from new company Pants On Fire.
Classic tales of the devious Cupid and flawed Icarus are reconstructed
in an inventive and accessible way. A range of musical instruments are
used and are swapped between cast members. Actors take turns to lead
the action and head the band.

Most exciting is the relentlessly innovative direction whereby props
and set as simple as plain white screens are utilised in contrasting
ways to depict the plethora of setting needs. A swimming pool scene is
particularly inspired.

While there are no songs you a likely to return home singing, this is
hardly a weakness as the all-encompassing nature of the music with
underscoring successfully creates the appropriate atmosphere. This
multi-talented group have found a completely individual style and
hopefully they will continue to create original adaptations in future
years.

Review: Reel to Real - The Movies Musical

Thu, 19 Aug 2010 00:00:00 +0100

Review: Reel to Real - The Movies Musical

Jack and Jill are the children of a movie mogul soon to hand over the

reigns of his empire. In order to decide which of the siblings will
lead the family business, he sends them on a round-the-world
challenge. Travelling through the major American, European and Asian
cities, Jack and Jill come across some interesting characters and have
a good song and dance while they're at it.

Projections are at the centre of Reel To Real. The production's entire
sets are created electronically and actors interact with the on-screen
action thanks to humourous and inventive direction throughout. The
whole exercise is an excuse to put set-piece songs from classic movies
on stage: "Singing In The Rain" and "Diamond Are A Girl's Best Friend"
are included.

What could be a tacky and messy show is in fact a polished product due
to the impressive precision in both singing and choreography. The
well-funded production benefits from a fantastic cast and while the
script may not be intellectually challenging, it fulfils its
requirements in keeping the audience engaged. A entertaining evening
for all the family.

Review: Barbershopera - Apocalypse? No!

Thu, 19 Aug 2010 00:00:00 +0100

Review: Barbershopera - Apocalypse? No!

Barbershopera are a singing barbershop quartet of three males and one

female. After much critical acclaim for their first two shows, they
are returning to Edinburgh with third, entitled Apocalypse No! A
school teacher is accidentally selected to join the four horses of the
apocalypse in their mission to destroy the planet. God - voiced by
former Pleasance founder Christopher Richardson - has given them this
task, but conscience gets in the way. As does crooner Barry White.

Rob Castell and Tom Sadler's script may be unashamedly silly but it's
also packed full of comic potential which the cast amply fulfil. The
acapella singing is faultless and direction precise: this is clearly a
very well rehearsed product. Understanding the nuances of the needs of
a Fringe audience is vital for Edinburgh success, and this group do.
The show's running time, plot structure and the satisfyingly minimal
nature of the set, props and costumes is to be applauded. Deceptively
implying they are slapdash, in fact Barbershopera are as slick as they
come.

Review: Maria de Buenos Aires

Thu, 19 Aug 2010 00:00:00 +0100

Review: Maria de Buenos Aires

I had little idea what this piece was about either before I saw it and I have little idea after I have seen it but I don't care - I found it beautiful and truly theatrical.

Apparently it is a "tango operita" by Astor Piazzolla based on a text by the Argentine poet Horacio Ferrer.

It is sung in Spanish with great passion and played by a vivacious onstage band. The score for Maria de Buenos Aires is passionate and congruent, the production is constantly inventive, engaging and satisfying and all the performances are marvellous. I almost don't want to give anything about it away at all (or possibly I can't...), It really has to be experienced first hand.

Go and enjoy. I hope you do.